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Space Needle Holga Homage

For over three and a half years now, I’ve been living just a few blocks from the world famous Space Needle (if you point the webcam to -45º you can see my apartment just left of center). Everyday I’m lucky enough to see something that symbolizes the great city of Seattle, and also one of the most iconic structures in the entire country.

So with that being said, I thought I’d dig up some Holgas I’ve taken over the recent past of this needle of space, as a reminder to myself to not take this beautiful thing for granted. Because I’m sure I have. My eyes have probably passed over some bit of its 605 feet and not a thought ran through my head about how incredible it is, or how lucky I am to view such a massive piece of art day in and day out. Here’s to being lucky.

The Ringmaster

A circus without a ringmaster is nothing but chaos. With him, controlled chaos. He makes sure everything runs smoothly, directs the show and keeps uppity lions in check. So when the decision was made to create a full cast of circus characters to go along with Magnus the Strongman, it only made sense to start with the ringmaster.

So without further adieu, please direct your attention to center stage and give a warm round of applause to The Ringmaster, Mr. St. George.

Also, check out Lead • Ink • Pixels here if you want to see the original sketch.

Mystery Film: Kodacolor-X 620

After finding my first roll of mystery film, I’ve been instantly trained to pick up and open every old camera I see while in an antique shop with the hopes of finding another roll. And luckily my persistence paid off and it paid off rather quickly.

Last October while in an antique shop in Portland, I spotted an mid 1950’s Kodak Brownie Hawkeye with a little paper tab sticking out the bottom seam. And what do you know, that little paper tab was attached to a roll of Kodacolor-X 620 film. So after buying a camera I already had for $15, it was all mine.

The problem is, being that it was color film that hasn’t been made since 1974, the chemicalsto process this film also haven’t been made for over 30 years. So after some detective work, I found I could send the film to a select few labs in the country that specialize in antique film and freeze these old chemicals to develop everything in large batches. The place I settled on and got the best vibe from was called Film Rescue International all the way out in Fortuna, ND. Also, I learned that whatever you do, don’t send your film here.

And as luck would have it, Film Rescue happened to have a batch deadline coming up. So Iquickly mailed in the mystery film, waited a few weeks, then they called and said they would start the processing in four weeks. After that it was another four weeks to see what developed. Then they emailed me back with thumbnails of whatever they could find on the film, and luckily there actually was something to see. So after months of waiting, I finally got my first glimpse of what has been locked away in the back of that forgotten camera for over thirty some odd years.

Unfortunately, the wait wasn’t over just yet. It wasn’t until another three weeks that I finally received a nicely packaged package with the results from a find made way back in October. But it was well worth it. The waiting, the money (definitely the most expensive roll of film I’ve ever developed) and the anticipation of not knowing was all worth it. Here are the results to the left.

Now all kinds of other questions can arise. Who the hell are these people and where are they? Why didn’t they develop this film themselves? Where did that guy learn that steely-eyed stare and does he still have those sideburns? Are they even still alive? We may never know.

It’s always fascinating to think that these images were burned into light-sensitive photographic film all those years ago, then sat forgotten about in the back of a camera which was soon forgotten about, and one day left the hands of the original owners and wound up in an antique shop. Then how I managed to stumble upon it is beyond me. But I feel pretty lucky.

Also, I should thank Film Rescue International for the wonderful job they did on turning that old roll of film into something. And note the reason these photos are in black and white as opposed to their original color has to do with their age. After sitting around for roughly 37 years in some unknown place, the color just doesn’t hold up in the negatives like one would hope. Good thing they still look pretty cool in B&W.

Redhook Brandbook

Have you ever worked with leather before? A little over a year ago I got my first chance to do so while making some brand books for Redhook Ale. If you haven’t done any leather work before you should, because it’s pretty cool. And slightly weird. Especially when you think about the fact you’re using the skin of a formally alive animal for something other than it was originally intended.

The best thing about making these was being able to get away from the computer and having a chance to work with your hands. Tangible stuff. Stuff you can feel. Every cover piece was cut out by hand, as was every bit of the type. That’s a heck of a lot more rewarding than just printing everything off and binding it with a piece of plastic.

 

Happy Holidays

For those of you who don’t live in the same state as your family, the sight you see above is just as much apart of the Holidays as are pine trees growing in your living room, your cat eating the plastic bows off your Kwanzaa presents and even a spinning dreidel. And since my family is mostly all back in the mighty Minnesota, this was my view from seat 39F on Delta flight 2714. Luckily, it’s all worth it to trade a few hours sitting in the cramped seat of a 737 for some time with your grandma. Happy Holidays.

Lead • Ink • Pixels

The fate of most doodles is that of certain death. Whether it be to the recycling bin or lost in the depths of an old notebook, doodles are usually drawn and forgotten.

Well, I can’t stand to watch this continue any longer. I’ve decided to dust off my old Tumblr and give these little guys a place to live for the rest of eternity (or until the internet gets too large and collapses in on itself). So I now present to you, Lead • Ink • Pixels – an ever growing collection of random sketches, doodles and whatever else may fall from the tip of my writing instrument.

So go check it out. It’s not very full right now, but give it time and I assure you it will be.

“No Shame” – Polaroid

WARNING – MATURE CONTENT: You may not know this, but I’ve been known to surprise a friend or two on the toilet with camera in hand. In this first edition, we feature Mr. Lucas P. Will. If you haven’t already closed your browser and restarted your machine, you will notice Lucas was not shy about being on the porcelain stage. When in fact he actually posed for this photo-op after I busted in the door. And as we can see, he has no reason to be shy.

Unfortunately, this mature content warning is placed well below the photo, so it may not have done much good. I’ll have to consult our legal department and reevaluate the situation. I hope this hasn’t caused any distress to sensitive eyes.

Haystack Rock Holga No.1

While visiting Cannon Beach, OR over the summer, I took these three shots of Haystack Rock, then somehow forgot about them. And being that you only get twelve images out of a single roll of 120 film, you’d think that would be pretty hard to do. Well I did, so now I’m trying to right my wrong and give these photos some recognition. Enjoy!

Haystack Rock Holga No.3

You may notice the title to this photo is Haystack Rock Holga No.3. Yes, that is indeed the world famous Haystack Rock near the coastal town of Cannon Beach, OR. And it was indeed taken through the plastic lens of a Holga medium format camera on Kodak Professional 120 Portra 400VC film. But, “No.3” you say? “Where are the other two?” Well, tune in tomorrow you’ll find out.

As for this photo, if you look closely you’ll notice little purple-ish red specks in the sky. Those are actually kites, and there were a ton of people flying them up and down the beach. Never before did I feel such a strong urge to buy, rent or build a kite, or even attach a sting to a seagull. Anything to make use of the constant winds coming off the mighty Pacific.

The Four Second Haircut
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For the past six years I’ve been cutting my own hair, and during that time I’ve also been trying to persuade my friends to do the same. Unfortunately, no one has taken me up on this proposition. Although what’s the worst that can happen? Sure, you might screw up and look funny for a few weeks, but the trill of failure is what makes cutting your own hair fun and exciting. Luckily, the stakes aren’t that high. And should things go awry, you can buy yourself a stylish new hat or wig with the money you’ve saved.

On a side note, if you ever notice my hair to be uneven or choppy in the back, do the right thing and please let me know. It’s hard to see back there, and I must cut solely on skill and intuition.

Send and You Shall Receive - Part 2

After weeks of nervously waiting by the mailbox, the envelope I sent off to the Lil’ Happy Invisible Creature S.A.S.E. Club finally arrived. It had left empty, but this time it came back filled with the printed bounty of the fine folks at Invisible Creature. There were stickers and cards and bookmarks and all kinds of goodies for a full visual splendor. My rods and cones were pushed to their limits.

A big thanks and much appreciation goes out to the guys at Invisible Creature. I can’t think of a better use of a few envelopes, stamps and our mighty United States Postal Service. Hopefully this won’t be the last we’ll see of the Lil’ Happy Invisible Creature S.A.S.E. Club.

You & Me

One of the best things about advertising is when you can put your efforts into actually helping a good cause. Working with good clients on good brands is always nice, but it’s extra rewarding when it’s something you can actually see making a difference in the world.

So for their 15th annual fundraising event, Powerful Voices, a non-profit organization that serves at risk girls and helps them find their voice through writing and poetry, asked us to create a video to help raise donations. From there we got to meet a handful of the PV girls and were able to collaborate using a mash-up of their own poetry and prose. They even made for some wonderful first-time models. Then last month during the event held at the Seattle Art Museum, we got to debut “You & Me” in front of a packed house. And the icing on the cake is they not only met their fundraising goal, they exceeded it.  Nothing beats that.

"You & Me" was created to help raise donations during the 15th annual fundraising event for Powerful Voices, an organization that serves at risk girls and helps them find their voices through writing and poetry. CW/AD: Angeline Oey, Christy Jasionkowski & Andy Westbrock CD: Eric Gutierrez Director/Animator: David Llama Audio: Justin Braegelmann Agency: Hey, Client: Powerful Voices

And be sure to donate yourself if you want to help a cause that actually makes a positive impact on tons of young girls in the Seattle area.

Down to Business Cards

Sometimes the best projects are the ones you can make for yourself. So luckily for me, I was in need of some new business cards. A damn good project to take on. Because if you can’t have fun doing that, there’s something wrong with you.

Well, clearly there’s something wrong with me because I hated the whole process. I hated searching through smelly old antique stores for stupid dinosaur stamps. Writing self-deprecating messages for the cards made me depressed. Then having to stamp each card by hand gave me a rash. I don’t even understand how that happened. But it did.

Thankfully that horrible process is over and done with. Now I can get down to business.

Seattle Lesbian & Gay Film Festival Trailer

CW/AD: Forrest Healy, Zach Hitner & Andy Westbrock Ad Agency: Frank Unlimited Production Company: Loaded Pictures Director/DP: Matthew J. Clark Producers: Brian Homman, Chris Borden Line Producer: Mark Campbell Editor: Michael Southworth, Editville Original Music: Matthew Hutchinson Sound Design & Mix: Scott Weiss, Pure Audio

Advertising is one of those great creative pursuits where you never do anything completely on your own. It’s always a team effort. And that was definitely the case for this project for the 15th annual Seattle Lesbian & Gay Film Festival. So to create this years trailer, the guys at Frank Unlimited teamed up with me, who, with Loaded Pictures and Pure Audio, were all teamed up with the fine folks over at the Three Dollar Bill Cinema, who do all the hard work to actually put on the SLGFF. Plus, all the actors and other talent who ran through the mean streets of Seattle to allow this whole thing come together.

CLIENT: Seattle Lesbian & Gay Film Festival
CW/AD: Forrest HealyZach Hitner & Andy Westbrock
AD AGENCY: Frank Unlimited
DIRECTOR: Matthew J. Clark
PROD: Loaded Pictures
SOUND: Scott Weiss, Pure Audio

Magnus the Strongman

Ladies and gentleman, boys and girls. Step right up and prepare your eyes to see the strongest man in the whole wide world. You’ve heard the stories, you’ve told the tales. Well, brace yourself for the real thing. He stands a full 6 feet 8 inches tall, weighs in at over 310 lbs, and comes to us all the way from Kitzbühel, Austria. The one, the only, the mightiest man this side of the equator, Magnus the Strongman.

I’ve been trying my best to post a wide range of things that make, whether that be photographyads or a pin made from a root beer bottle cap. Unfortunately, one thing that has been sorely overlooked has been my illustration. Well, here is a step in the right direction, and a commitment to keep doing more.

So that brings us to Magnus the Strongman. He doesn’t have a purpose other than I wanted to draw him. Actually, he was laying around from an old project that got derailed, and I never got to finish him. So after some more attention, he gets to finally see the light of day.

Hey, Type Scramble

For the past two and a half months I’ve been working with the great folks at Hey, one of the newest agencies to spring up in the Pacific Northwest. They’ve been around for about a year now, and since they’re still in the process of laying their foundation, it’s a fantastic experience to help them with that process. I love that sorta stuff.

Probably the best thing about Hey, is that they’re quite aware of the normal ad agency pitfalls, and are doing their best to avoid them. Luckily, they have a few things going for them. First of all, they have two good guys behind the steering wheel, Eric Gutierrez and Chris Lloyd, both former DDB Seattle guys. Another thing working in their favor is they’re small, and taking time to grow. They’re not chasing money from bad clients, and are actually pretty selective with the projects they take on. They also have zero interest in just being another soul sucking ad factory that churns out the same crap that makes people hate advertising (you know who you are).

So anyway, this concludes my ass kissing for the day. I do feel pretty lucky to be working there with good people and on fun stuff and I really think they represent a positive movement in advertising. Same goes for a lot of the cool, small shops that have been popping up over the past few years. We need more of it.